Might he have in store for us a return for Sophia Myles later in the series? She’d be very welcome. Certainly if you were drawing a Venn diagram, there’d be an intersect with a previous Steven Moffat adventure, The Girl In The Fireplace. It’ll be fascinating to see what he does when he gets some Daleks to play with next week.įoe-wise, there’s a suggestion – hinted at by a reference back to Madame de Pompadour – that the clockwork creatures have a familiar feel.
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He’s not particularly overt about it, but there’s a sense that a strong movie director is behind the camera here. He holds his shots a little longer, his camera angles are less obvious, and his tone is just a little less comfortable. Comfortably the most family-friendly production that Wheatley has released for public consumption, his Who is still notably darker, and notably moodier. Impressive, certainly, but there’s a feeling that the first part of Deep Breath is not as sharp out of the gate as usual.īut it does settle, and in comes the influence of debut Who director, Ben Wheatley. Appreciating it’s a nice entry to have a new Doctor choked up by a creature, said dinosaur seems to exist just to be killed – within 20 minutes – and appear in a few background shots. The same applied for the very expensive dinosaur that stomps through the opening shots here. We’ve seen it before with Cybermen and Daleks teased for stories that they have little involvement in. Given the heavy analysis that goes into any released Doctor Who promo, you can understand the obfuscating of villains. But there’s a hint at least that we may be due a trip back to the events of The Fires Of Pompeii or Children Of Earth.Ī further trait is the red herring monster. It’s a trait of current Who, like it or not, to weave the immediate narrative into the history of the show.
Steven Moffat’s script also hints that the actor’s previous appearances in Who (and possibly Torchwood) are no coincidence. But also, there’s a growing sense that this is a man in need of help.Īnd as it happens, a little bit of Capaldi goes a long way. There’s a vulnerability that comes with his regeneration, and a cantankerous tone at times. Castrovalva springs to mind, but also David Tennant’s relatively passive introduction in The Christmas Invasion. It harks back to the stories of the past that have seen the Doctor clearly affected by, and exploring, his regeneration.
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the characters that are surrounded by The Doctor’s appetite and thirst for adventure and knowledge are rich, interesting and full of doubt and intrigue, they have been drawn with quiet deliberation to make the story a much more satisfying read than may have been initially thought and one that truly gets to grips with the base desires of every human on the planet, that need, the drive to desire something that could end up controlling you.Ī worthwhile read and an excellent companion piece to the 12 th Doctor’s time in the Tardis.“I don’t think I know who the Doctor is anymore”ĭeep Breath, though, is as much (if not more) an episode about Clara finding out who he is as a straight introduction to 12 (as we think we can get away with calling him). The feeling of intensity is one that never really slows down throughout the book and as the desperation reaches its climax, that strength of purpose unfolds with quiet grim determination and holds the reader’s attention to the absolute last.Īs part of a trilogy which involves The Doctor’s adventure in dealing with the ancient artefact known as The Glamour, Deep Time is a boundless source of everything that is required from a novel involving Gallifrey’s finest and the woman who understands him better than almost anyone in the Universe. Trevor Baxendale’s Deep Time takes the reader into a world where jealousy and personal gain are interwoven, where the feeling of desire is intensified because the pressure to survive has perhaps never been greater. The search for the Phaeron Road and the relics of a society long since turned to dust are the objectives of the crew of the Alexandria but there are secrets on board, there are desires to complicated to bring out into the open and the fear of what lies beyond the final stars of the Galaxy is enough to send shivers down the spine. Liverpool Sound and Vision Rating * * * *Įverybody has something they desire, something they crave for, that they covet more than anything else in the world and in that sheer longing the seeds of their own destruction can be sown.įinding themselves on board a spaceship whose crew are looking for the long lost civilisation known as the Phaeron, The Doctor and Clara are thrust right into the middle of a journey that will not only test their wits but their perception of Time.
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